After you’ve been dazzled and challenged by all the other Emerge 2015 “visitations from the future,” you will of course have a head full of questions. Luckily, we’ve arranged a visitor from 2040 – The Oracle of South Scottsdale. This entity, this creature, already knows what our futures have turned out to be. And the Oracle knows what were the roles of our present-day choices and values in creating this future. So this is your big chance. As with any good Oracle, you get to ask one – and only one – question about the future. So make it the best, and most important question you can possibly imagine. Think hard. And listen hard to the answers. For sometimes Oracles can be cryptic. We will be collecting your provocative questions – and the Oracle’s responses – on Google Glass for future generations to ponder. (The Oracle sometimes responds to the name Brad Allenby.)
Created by Scott Cloutier
Sustainability researchers and community members explore how we can work together to build happier neighborhoods through sustainability interventions.
One hundred years ago, Phoenix had fewer residents than Apache Junction today. Transportation was still primarily by horseback, although the steam locomotive had made a big difference. There wasn’t a single high-rise on the Valley horizon back then. Yet over the next century, the region will be transformed even more radically. Visit the Deep Time Photo Lab to see into the future – and change what will happen beyond your own lifespan. Laboratory director Jonathon Keats will show you how to make a camera with a hundred-year-long exposure, for you to hide in the city, invisibly monitoring changes to the urban landscape between now and 2115. You might think of your camera as a black box that monitors local building decisions, making everyone alive today accountable to Arizonans not yet born. Or you may think of it as a collaboration with future generations on choices and values that will provide for the greater good. Either way, this is your chance to take part in the century ahead. Attendees of Emerge 2115 are depending on your participation.
Created by Camilla Jensen and Tamara Christensen
Create your own fairy tale from the future in an epic Lego build led by experts in the art and science of Lego Serious Play.
When it’s possible for everyone to know who you’re talking to, what you’re touching, where you are and who you are, how do you really feel about that? At Emerge 2015, you’ll find out. In You Have Been Inventoried, Eric Kingsbury – the Arizona futures-oriented marketing creative – produces a networked physical experience in which you can be explicitly cataloged and tracked using RFID and display technology. You will see yourself and everyone around you – simultaneously, suddenly, and subtly – as known objects within a system to which information can be added that everyone can see. Through these real systems – originally created for commerce – we challenge your traditional notions of your human relationship to all your surroundings, raising important questions of freedom of choice, and the value of privacy.
Imagine a dystopian future wherein the Internet has fallen under control of the federal government and has been saddled with restrictions, oversight, and fear. Countering this infringement on freedom is the renegade Johnny Appledrone. Johnny’s response is to build an alternative Internet comprised of thousands of drones. These insect-size drones restore the freedom of the Internet, as enjoyed in the decades prior to strict government control. It also raises the ire and animosity of the federal government which vows to eliminate this threat to its authority. This is Johnny Appledrone vs. the FAA, Don Marinelli’s one-man dramatization of the short story by Lee Konstantinou from the volume, “Hieroglyph: Stories and Visions for a Better Future,” created by the ASU Center for Science and the Imagination. Don Marinelli, co-founder of the world-renowned Carnegie Mellon Entertainment Technology Center, now with ASU’s School of Arts, Media + Engineering, performs a visitation from the future that is both terrifying, and in which we can thrive.
What do you call an iconic, elaborately-costumed slow-mo human “statue” magically projecting utopias, in combination with dozens of flickering images of utopian concepts, raw light, and collages of utopian experiments and dreams. You call it Abraxa, created by the renowned ASU artist Rachel Bowditch in collaboration with Emerge 2015 and InFlux. Utopians can be seen as visionaries representing the noblest aspirations of humanity. The utopian impulse can be seen since the beginning of the written word – the desire to dream of a better world. Often these utopias emerge as a radically different response to current societies. Rachel’s focus is on the concept of the “ideal city” – an ideal, utopic world that features an historical silhouette with a futuristic twist—a blend of old and new choices and values. In performance and installation.
Have you ever seen a whirring collection of gizmos the size of a truck create a painting that appears to be produced on the spot though the choices and values humans have made online? You will. Emerge 2015, in collaboration with Scottsdale Public Art and ASU techies, features this creation by the artist Toby Fraley. You walk up to this art installation and drop in a couple of quarters. A rough block of wood pops into the machine. You hear the whirring of motors and, as you peer through a window, sawdust flies and blades spin. Meanwhile – behold – this visitation from the future seems to be scouring the internet, seeking what is popular among our choices and values at that very moment. A screen rapidly displays a feed of words and images as the machine seems to think about what it should paint. Then, through the next window, you peer into a paint-splattered chamber where pencils move over freshly cut and sanded wood, before paintbrushes move in and do their work. Finally a 4-inch by 6-inch painting drops down a chute, for you to take home and forever contemplate. Is this the future of art?
Come design the future. What does a parking ticket look like in 2030? What will be your most valued reading object in 2050? Instead of a leash, what will you use to walk your dog in 2065? At the Future Design Studio, we will help you think through what kind of invention you want n in the future. We will help you build a low fidelity prototype that will be added to our Digital Future Artifacts Archive. Your concoction may also play a role in the Future Design Studio Improv Hour, during which professional improv actors build scenes around these visitations from the future. What will become of your future artifact? Will it save or destroy the world? Come play in the Studio of Megan Halpern and company.
Start with Baxter. That’s a human-friendly Rethink Robotics industrial robot that looks like a hulking fullback on a golf cart. Add dancers and audience members. You teach Baxter how to move – as “naturally” as we do. What you then get at Emerge 2015 is a team of artists and roboticists creating performance art and a laboratory working session that imagines positive – though not simplistic – futures for human/robot relations. Ars Robotica is a multi-year project that brings together artists, scientists, designers, and engineers to advance research in robotics and to produce creative performances. It’s led by Lance Gharavi and students and faculty at ASU’s School of Film, Dance + Theatre. In partnership with Srikanth Saripalli and his crowd at the School of Earth + Space Exploration. For Emerge 2015 you – the audience – gets involved in conducting on-site research in performance. Our roboticists want to learn about the performance of materials, technologies, processes, and systems. Our theater collaborators are just as concerned with the performance of organic autonomous systems – you.
Suppose the Cloud started requiring – or demanding! – the use of human bodies? Bodies for a Global Brain is a set of performances imagining just that. Funded originally by Google, UCLA’s Bodies for a Global Brain examines our choices, values, and identity in the future – or perhaps its sacrifice in the service of the “global brain.” These performances will make you ponder – will individuals willingly becoming the physical incarnation of the hive mind? Throughout history, legions of humans have valued giving up their personal identity to become part of something seen as transcendent: religious philosophy and movements, government institutions like the military, cults and communes. Will it be like that? Or might it be akin to individuals voluntarily choosing to join Star Trek’s “Borg?”
Gut Churn begins with a simple question: what does it mean to “innovate?” How does it feel to make something new in the world? (These are questions Jad Abumrad was frequently asked after being awarded a MacArthur “genius” grant in 2011). Gut Churn, on one level, is Jad’s personal recollection of inventing a new aesthetic when faced with the challenge of creating “a show about curiosity.” It became the wildly popular Radiolab that embodies the intersection of the arts and sciences, airs on over 450 NPR stations, and whose podcasts reaching millions more per month. On another plane, Gut Churn is a clinic – including audio clips, still images, video, live sound manipulation – in the art of storytelling. On a third and more profound level, the lecture is the result of a three-year investigation into the science, philosophy and art of uncertainty, which all began with the two words that are the title of this talk. Gut Churn. What use do negative feelings have during the creative process? Do those feelings get in the way, or do they propel us forward? After his presentation, you get to ask Jad questions.